Category Archives: movie

Silver Thunderbird (30 Days of Marc Cohn — Day 15)

“Silver Thunderbird”
Marc Cohn

It really wasn’t planned that this song follow “Listening to Levon” on my countdown, but it’s nice that it worked out that way.

In “Listening to Levon”, Cohn tells us he was sitting in his dad’s “blue Valiant” but this is the song he really associates with his father.  It’s a very heart-felt piece of nostalgia and, like many of Cohn’s songs, gentle while remaining pop-ish.  Whenever I hear it, I’m struck by how thoroughly successfully it evokes the memory of being a child.  My dad didn’t own a silver Thunderbird (or a blue Valiant — the only car my dad ever purchased new was a 1983.5 Chrysler Reliant K car, notorious as one of the worst cars to ever roll out of Detroit).  But I totally get the vibe Cohn is sending in this song.  There’s pride and wonder and just a hint of loss.

Great big fins and painted steel
Man it looked just like the Batmobile
With my old man behind the wheel

I just love the line about the Batmobile (even though, of course, the Batmobile is black and not silver  :-P ).  That’s exactly what a six-year-old might say describing his dad’s new car. And the pride that radiates through — “with my old man behind the wheel” — is palpable.

He got up every morning
While i was still asleep
But I remember the sound of him shuffling around
Then right before the crack of dawn
I heard him turn the motor on
But when I got up they were gone

Here too Cohn brilliantly evokes childhood.  Who hasn’t heard their father (or mother) rooting around the house in the early hours, before any children are supposed to be awake?  Who can’t read in there a safe feeling of being provided for?  I can definitely empathize with the thought of jumping out of bed to say goodbye without realizing that, if the motor’s on, he’ll have pulled out long before I get there.  Here is the moment of loss that often informs Cohn’s songs — not teary mourning, but a soft regret.

I suppose this songs speaks to me because of how and when I lost my father.  By the time the song came out he’d been gone eight years; there would be no chance to sit and reminisce with him.  My memories of my dad are wrapped in the same misty nostalgia that informs this song.  What remain are glimpses and impressions of the man he was, but as a kid I didn’t have the context to weave them into a real understanding of him.  Cohn’s sparse tribute to his dad honors that incompleteness and captures the important parts anyway.  To a young boy, his father is more than a person; he’s the living concept, the very definition, of what it is to be a man.

Don’t gimme no Buick
Son you must take my word
If there’s a God in heaven
He’s got a Silver Thunderbird

You can keep your Eldorados
And the foreign car’s absurd
Me I want to go down
In a Silver Thunderbird

 

Tron: Legacy — soundtrack

Being a geek of a certain age, I of course went out to see Tron: Legacy as soon as it opened in the theaters. And being a geek of a certain type, and having listened to Wendy Carlos‘ ethereal soundtrack to the original Tron, I also purchased the soundtrack to this one as soon as it was available. This was my first introduction to Daft Punk, whom (I must admit) I first even heard of when their role was announced to much rejoicing. On receipt of the CD (yes, I still buy physical goods from time to time), I learned that they had worked on the orchestration with Hans Zimmer, a composer whose other cinematic work I do know and enjoy.

I say all this to make clear that I cannot evaluate the album as to its “Daft Punkness”. On my first listen through, I was underwhelmed. Wendy Carlos notwithstanding, I am not much of a fan of techno, and this album is certainly that. But having spent the cash I gave it a few good listens, and then I noticed that I was replaying the music in my head throughout the day. That’s just about the best recommendation you can give an album: it’s something you want to keep listening to. It evokes the movie (which I very much enjoyed) without being dogmatically tied to it. I’ve played these tracks for more than anything I’ve purchased in the past year or so.

Continue reading

Review: Inception

Inception
a Christopher Nolan Film
Arbitrary 5-Point rating: 5 out of 5

Inception is a weird, ambitious, action-packed sci fi thriller-cum-heist flick.  It is, in its own way, as ambitious as The Matrix and suffers from the comparison only in that it didn’t come first.  Leonardo DiCaprio plays Tom Dom Cobb, a thief of a singular kind: He can enter the dreams of others and “extract” information they’re trying to keep secret.  On the run for (at first) unspecified horrible crimes, he parlays his skill into a lucrative, if high-risk, lifestyle.  But in the end all he really wants to do is get to go home again and pick up the shards of his former life, including two small children.

More detail, and spoilers, to follow, but in short, this is a fantastic film that’s better than it has any right to be.  The pacing is superb, the acting is above-average, and the setting and technology are remarkably well fleshed out.  Although everyone draws comparisons to The Matrix, the real spiritual ancestor of this film is The Thirteenth Floor (which, ironically, came out at the same time as — and got lost in the glare of the hoopla of — The Matrix).

Spoilers ho!
==== Continue reading

Days of miracle and wonder, indeed

For about ten years, I’ve been running a project in my Honors Physics course called Days of Miracle and Wonder (yes, title taken from a Paul Simon song).  In it, the students are asked to create a business case for a product or service not available today but likely to be so by 2030.  Although they are expected to construct a likely technological path from today’s state-of-the-art to that future product, they aren’t expected to actually build their device because, after all, it’s supposed to be 20 years away.

In one of the early years, a team chose as its device a free-standing holographic display a la the chess scene on the Millennium Falcon in Star Wars.  They presumed it would involve some sort of fast-spinning mirror.

Today, I came across this – a SIGGRAPH paper and video demonstrating a free-standing three-dimensional display utilizing a fast-spinning mirror.  It’s about 20 years early.

I guess I have to revise my project rubric.  :-P

The rising threat to music of the home taping phenomenon

This video (http://www.youtube.com/watch?v=R3jkUhG68wY&feature=player_embedded) is a hilarious take-down of the music publishing industry’s allegation that personal filesharing is “killing” music.  Part of the fun is figuring out the early 1980s references.  Also, I would totally buy a flag that had that cassette-and-crossbones logo…

Also, remember that according to former MPAA chief Jack Valenti,

[T]he VCR is to the American film producer and the American public as the Boston strangler is to the woman home alone.

Not that the content cartels would ever condone the use of overblown and hyperbolic language to frighten lawmakers into writing into law special rights to protect their outmoded business models…